Girl Aloud: MSN Music Blog: Blog

Rolo Tomassi - Digital History/Beatrotter clip MP3

Like a proud parent...

Mon, 16 Jun 2008 20:00:32 GMT

Download is an odd festival which wants to re-create the vibe of Monsters of Rock yet with 90% nu-metal/NWOAHM (ask Metal Hammer about it) it's for your Kerrang reading, embarrassing younger brother who thinks Korn are the best band ever and Avenged Sevenfold are forward-thinking.

Despite these issues I have with it, I am a fan of some of the bands which have played and Download 2006 was probably the most fun I've had at a festival, ever. This year's festival took place last weekend and I am officially gutted to have missed it, not because of missing Kiss but because Rolo Tomassi played. Despite the fact they're flying the nest from Holy Roar, seeing them play Download would've made me pretty proud.

Video clip of them playing live to follow, but here's a quick interview they did just after they played, and in anticipation of their album this is a clip stuff from their last release, the 7" for Holy Roar.

OH, and the NME wrote some nonsense about their performance but words are missing and they cocked up loads of the formatting.

Playlist: My Bloody Valentine

Gone but not forgotten #2

Wed, 11 Jun 2008 07:29:19 GMT

Well, not strictly gone as I can't find any information about whether this band have actually split up or not.

Pinebender are/were a band from Chicago. I've heard their music described as 'emo-grunge' which gets kind of close, but they also seem to bring in indie rock, post-hardcore and a kinda 90's rock sound into the fold. They are a slow band, and despite this and the fact the songs are very emotionally charged, it never feels overwrought. They're heavy without being overly noisy and at times can be quite riffydown-tuned but still produce really touching and beautiful songs. They are SUCH AN ANOMALY IT'S GREAT.

I first heard of Pinebender and a load of other bands from one of the best compilations ever pretty much, from Building Records. Hidden towards the end were Pinebender, but this CD also lead to the discovery of the not too dissimilar Fin Fang Foom and probably a load more.

Anyway, I'm trying to find out what Pinebender are doing now, but there's a video of them playing a gig a year and a half ago so fingers crossed they've just been away writing a new album and it'll be out soon.

Playlist: Pinebender, Boris, Karp

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Another one bites the dust

Fri, 06 Jun 2008 10:52:05 GMT

My thoughts on the cull of UK bands that has occurred this month. It's been a tough time for bands splitting up and I'm quite sad.

I Was A Cub Scout

I think this has been coming for a while. I was a massive fan and always enjoyed them live and felt like, even though there was a lot of hype and press support etc, they never really got where they wanted to be going and it always seemed a bit awkward and uncomfortable.

Cutting Pink With Knives

Totally annoyed (obviously from a label perspective) that it's ended like this. Well, not annoyed, maybe a bit sad? CPWK seriously divided opinions and while a lot of people were big fans, I always expected them to take things a bit further than they actually did. With the band members pulling in opposite directions though it comes as no surprise, but a lot of people are gonna be left with some good memories and scars from their gigs. Supersonic will be their last gig in the UK. Rubbish days.

Reuben

Bothered?

CPWK playing at Beyond Retro last year:

Playlist: Envy, Pelican, Grails

Check mother******* mate

Thu, 05 Jun 2008 14:20:26 GMT

At Wuchess.com you can log-on to watch chess clans do battle on and check out exhibition matches with Rza, other Wu-Tang members and stars from across the planet.

WuChess taking the game of life to the next level.

http://www.wuchess.com/

Yep, that's right. For $48 you can take the game of life to the next level.

Playlist: Pinback, Semifinalists, Night Marchers

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Primavera: the comedown

Tue, 03 Jun 2008 21:31:08 GMT

More than anything else right now I'm suffering from post-festival depression. I'm not even bothered about the hangover lasting days or crap British weather, is there anything more miserable than returning home from a festival?

OH WELL. Both ATP and Primavera are over for the time being. Here are some of my Primavera/Barcelona highlights:

1. My love/hate relationship with Spirodogs

2. The beach at Sitges

3. The cocktails at Sitges

4. The dubstep prior to Public Enemy

5. Fuck Buttons new set - INCREDIBLE raving at the end

6. Smuggling €5 bottles of gin into the festival site.

7. Being surprisingly won over by Explosions in the Sky, again.

8. 2am cups of coffee.

9. Holy Fuck stage invasion.

10. The Sonics seeming very confused about where they were and talking about the weather in Britain and British people a lot.

11. Unofficial Les Savy Fav stage invasion. Made by me.

12. Air conditioned public transport.

13. How utterly happy to be there Menomena were.

14. Tapas. All of it.

15. Shellac's impeccably chosen set. Only slightly marred by the lack of banter.

16. Falling asleep to Om and not being able to decide if that's a good or bad thing.

17. Cat Power playing Metal Heart. Everything else was gash.

18. PEDALOS WITH SLIDES ON THEM.

19. Meeting a fella out of This Ain't Vegas in the crowd for Shellac.

20. The sunshine. And even the downpour on Saturday night/Sunday morning.

A generally amazing festival in probably more than 20 ways if I still wasn't overcome with exhaustion. Hats off to the Spanish for keeping a bottle of water at €1 even at the festival site and even having alcohol and not too extortionate prices. Every British festival should take heed or we'll continue flocking.

In other EQUALLY AMAZING news, ATP Nightmare Before Christmas line-up is BLOWING MY MIND. Amazing choices. I can start gushing now.

Playlist: The Notwist, Life At These Speeds, Indian Summer

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Testing.....testing......

Mon, 26 May 2008 14:34:36 GMT

The new layout for Last.fm, still in beta, has been available to subscribers about a week now. While change is generally a bad thing when it comes to your favourite internet sites, my initial revulsion is subsiding. Here are a few of my thoughts:

1. The 'it looks like Facebook' accusations are surely just down to the left hand nav and more white space?

2. The renaming of the 'Dashboard' to simply 'Home' seems to create unnecessary confusion, even if it makes more sense.

3. The 'it looks like Livejournal' accusations are just odd.

4. The fact your Home page only shows what your friends are listening to right now is annoying. The old idea of having what they've been listening to recently was much better, as often it has very little to display.

5. The activity feed on your profile page is kinda neat and while a lot of people won't like it for the 'social networking' aspect you can always change it in your privacy settings.

6. It's way easier to access your radio stations, which seem to be more accessible and a bigger deal perhaps?

7. The organisation of the charts on profile pages seems a bit odd and not so intuitive. Having 'Top Artists' above 'Top Tracks' makes more sense to me. The 'Library' section with images seems somewhat pointless.

I could go on but those are still my main thoughts. I quite like the new profile page but your Home/Dashboard whatsit needs more work.

(I still love Last.fm way too much)

Playlist: Why not have a look on my Last.fm beta profile

Potential Primavera gig clashes for next week

Thu, 22 May 2008 16:00:01 GMT

Start panicking now:

1) The Notwist/Enon - 8.45pm on Thursday - The Notwist win HANDS DOWN

2) EITS/Caribou - 1am on Friday - Explosions, Caribou sounded a bit crap at ATP

3) Fuck Buttons/Cat Power - 1.15am on Saturday - Sorry Buttons, Chan wins

4) Why?/Devo - 11.55pm on Friday - Why? wins, soz

5) Six Organs of Admittance/Portishead - 9.45pm on Friday - Unless I can't get into Portishead the previous night I'm gonna see SOOA at this time.

6) Menomena/Mission of Burma - 10.30pm on Saturday - Menomena if only for 'Wet and Rustling'

7) Okkervil River/Silver Jews - 7.30pm on Sunday - Gonna leave this decision, but recent listens of OR are pushing me in their direction

See the full line-up at http://www.primaverasound.com/

Playlist: Life At These Speeds, Lykke Li, Okkervil River

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Another dodgy soundtrack

Mon, 19 May 2008 20:50:46 GMT

Following on from my previous post complaining about Ten in the Swear Jar providing the musical accompaniment to Skins, I remembered a video I found on Youtube a while ago of one of my favourite Carissa's Wierd songs, 'Ignorant piece of shit', soundtracking a montage of clips from popular gay cowboy romp Brokeback Mountain. It's an odd homage to be paying although it shouldn't detract from Carissa's Wierd being amazing.

Two of the Wierdos went on to form Band of Horses who, despite their slightly Wild West sounding name, could probably never soundtrack a tribute to Brokeback Mountain so bizarrely/poignantly.

PS - Ex Wierdo/Hose Mat Brooke now does the lovely Grand Archives on Sub Pop. Well, they've been around for a bit now. What a clever fella.

Playlist: M83, Envy

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I luv the drugs OH!

Fri, 16 May 2008 16:00:17 GMT

Keeping the mental in experimental, Xiu Xiu are the pained experimentalists soundtracking a thousand broken indie kids' traumas. While I quite like them, I won't be seeing them when they play in London next week.

Instead I've re-stumbled upon Ten in the Swear Jar for the first time in a while, which is Jamie Stewart's band prior to Xiu Xiu. The old version of 'I Love the Valley' isn't very good at all, but other songs are a softer, and more gentle version of Xiu Xiu, and almost mesmerising.

The drugs come into all of this when I found a video on Youtube of Ten in the Swear Jar's track 'Sita Deth' used in over-hyped Teen nonsense Skins when one of them takes a pill. Someone should tell Stewart that at the gig next week.

Playlist: Mission of Burma, Iron & Wine with Calexico

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Knee deep at 80p

Wed, 14 May 2008 21:27:47 GMT

I got back from ATP vs Pitchfork on Monday at about half one in the afternoon and felt like I was extremely jet-lagged. I'm not quite back to normal yet, hence the delay in writing this. Here's what I got up to over the weekend:

Friday:

The weather in London was kinda miserable so my excitement was a bit subdued on the train from London Bridge. The weather in Hastings, where we had to change to reach Rye, was actually GLORIOUS. After arriving at Pontin's, we have some time to kill before getting tickets and meeting our chalet crew so we all get a bit sunburned sitting on the grass. After settling in and having more beer we go to watch some BANDS.

I consider watching Jay Reatard as I like their name and they're a bit hyped but the Queen Vic is far too tempting. I catch ten minutes of Man Man and while their flamboyance and theatrics are sweet, the experimentalism isn't making me want to watch more. Wandering upstairs for Vampire Weekend, I'm poised to be hateful and full of bile but their Paul Simon dancealongs are sweet enough and are perfect for the sweaty afternoon. After a quick, and final, drink in the sun, I enjoy about 20 minutes of Sebadoh before getting quite bored. Lou Barlow, what a legend, and there are quite a few Sebadoh songs I really like quite a lot. But reeling out the hits for 30-somethings to dance about to as if they're 17 again, while taking about 10 minutes between songs, isn't always that much fun. Five minutes of Shit and Shine tell me I should watch some more, but having seen them quite a few times, the painful heat in the venue is pushing me outside to the pub. Drinking outside is something I can do anywhere, though, so I decide to go and watch Fuck Buttons. I tell my story about how I was going to put their album out on my label before ATP Records pinched them quite loudly so I think I've impressed people standing near me. They then play (at least the beginnings of) a set I've seen them play at least 7 times before. While it's completely spot on, the sweat box that is downstairs puts me off seeing them in their entirety for an eighth time, so it's back outside to play in the park and on the swings until the early hours.

Saturday:

It's even hotter than yesterday so obviously every goes to the beach which is now half locals, half pale indie kids. I'm not sure which is worse. After a few hours of getting very pink we head back in time to catch a glimpse of Howlin Rain, who are no Comets on Fire, it has to be said, but Ethan Miller is pretty enchanting frontman and I like the cheesiness as much as the next person. I always think I should be a bit embarrassed by my fondness for Los Campesinos! as their OTT tweeness often distracts from the fact they're a talented bunch and write lovely songs. Despite taking a while to get their twee on, when LC! find their stride, and stop being quite so gushing, they do actually simultaneously warm my heart and make me dance a little bit. I leave the stages area for fear of catching any of Deerhunter and enjoy a healthy dinner of pasta and pesto washed down with three pints of gin and tonic. I return suitably enlivened for the perfect pairing of Les Savy Fav then Hot Chip; two of the bands I'm most excited about seeing this weekend. Sadly, for me, it's at this point my memory stops working. I remember the following: dancing to 'Patty Lee' by LSF, Tim Harrington walking around banging a drum, a dance circle for Hot Chip's 'Over and Over', meeting the man in the pink panther costume (it was his stag weekend), and that's about it. The rest of the evening will remain forever with Camber....

Sunday:

There are no words for the pain, but the beach is calling again and I'm sure Pissed Jeans aren't going to wait around for me, so somehow I get back to normal before 5pm. Their set isn't entirely taken from 'Hope for men', as much as I would've liked it to be, and while an obnoxious and slightly unnerving frontman is fun (he's actually great), they're not as relentless as I want them to be, and end up a bit mid-paced noise rock. Which isn't a bad thing to be at all. After a bit of wandering about and getting annoyed at all the band's I'm missing, I'm back inside the downstairs venue.The general consensus for No Age's performance seems to be 'disappointing'; flat, dodgy sound, and not really that into it, there's also talk of the pair being so ill they nearly didn't play. Still, a sad disappointment. At this point I realise I haven't seen that many bands today but the prospect of Of Montreal isn't that tempting so I only return for Girls Against Boys. Like Sebadoh before them, GVsB bring out all the people who saw them ten years ago and pump their fists to the hits. The thing is GVsB only really have one sound, and while this a great and perfected sound, an hour of it over and over gets uninspiring, especially with some of their dodgy lyrics. Yesterday's carnage is completely wiped from my memory as I return to the gin and settle down to watch Krautrock Allstars (or Harmonia, whatever) who fail to win me over. I can enjoy a bit of Can if, y'know, someone plays it at a party or it comes on the radio, but the Harmonia trio stand behind their equipment playing kraut/ambient electronica/whatevs and aren't the exploding end to ATP they ruddy should be. A disappointing conclusion to some incredible bands. While the live music is finished, my ATP weekend is far from over. Back to the Queen Vic then?

Roll on Primavera and the Nightmare Before Christmas, whoever is curating.

Playlist: Russian Circles, Menomena, Clikitat Ikatowi

Superheroes

Wed, 07 May 2008 12:58:54 GMT

After inventing stainless steel and “Ass Kicking Rock and Roll”®, here they go again reinventing the MP3! It’s a new year and another handful of mind-blowing rat turds are flung at the “scene.” Your iPod never sounded as crispy. Ladies and Gentleman…. I present to you the next SoCal, mall punk, stupor group; THE NIGHT MARCHERS!… apparitions of modern day street warriors that manifest in the neglected corners of subterranean, Rock ‘n Roll lore.

Way back when I was done with Friendster, and a good few years before Facebook was about, I signed up for Myspace and filled out the 'Heroes' section.

I can't remember who else exactly was in there, but John Reis definitely was. I kinda fancy Reis (/Speedo) and have for a while but he's getting on a bit now and sweats a lot. Reis is responsible for some of my favourite music ever created, most notably Drive Like Jehu, Rocket from the Crypt and Hot Snakes. Now he's back doing vocals in The Night Marchers.

I hadn't anticipated an album as much as this one for a while and it hasn't disappointed at all. They're playing a few dates in London and across the UK next month. I will be dancing at the Boston Arms on Friday 6th June.

And maybe Reis is kinda in shape now?

Playlist: The Night Marchers, Torche, Breach

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Unintelligent hardcore is making my head hurt

Thu, 01 May 2008 10:12:26 GMT

Tonight I'm going to see Cursed and I'm quite looking forward to it as I've never seen them before. Plus it's Punk Rock Book Club beforehand and also May Day so I'll be in the mood for a riot, albeit a well-read one.

Cursed are a gnarly, pissed-off and especially crusty/sludgy hardcore band, but they've always struck me as one of the few 'thinking-men's hardcore bands'. They come from credible previous bands, have a blog which makes an enjoyable read and have some great dark imagery/aesthetic which has always been associated with them. Yeah, since when has hardcore been about the aesthetic? Their music is pretty crushing as well.

On the flipside are the International Superheroes of Hardcore, who have been climbing the Last.fm hype charts and are now in second position. All it is is pop-punkers New Found Glory poking fun at the po-faced hardcore kids, with song titles like 'Madball's got our back', 'Ebay revenge' and 'Superhero sellouts'. As a NFG fan, it's kinda fun, but really, over-zealous and precious hardcore is NO JOKE KIDS, especially in the UK right now it seems. Who split up and left Your Demise in charge anyway? With lyrics which involve rhyming 'duck' with 'fuck', it's easy to get disenchanted with hardcore. Thank god for book club. And Cursed.

Playlist: Boards of Canada, Rocket From The Crypt

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A few Monday night thoughts which don't deserve entries of their own...

Mon, 28 Apr 2008 20:54:53 GMT

1.) Last night I saw 2/3rds of Acid Mother's Temple, under the guise of The Japanese New Music Festival, play both as Acid Mothers Temple, Ruins, and a few other 'projects'. While I could recount each project in turn, it's worth just mentioning that they opened with both playing (amongst other things), zips, bottles, wine (yes) and a camera. ZANY. But actually hilarious.

2.) Can someone tell Petridis that Feist, with her top ten singles and million-selling albums, is not 'pop's best kept secret'.

3.) A glance over the supposed Glastonbury line-up leak makes me want to vomit when I get to: The Feeling, KT Tunstall, Kate Gash, James Blunt, The Hoosiers, Elbow, Newton Faulkner.... I could go on. It's turned into a housewives' 'I buy my one CD a year in Tesco with the weekly shop' soundtrack with, predictably, Crystal Castles and Foals thrown in to keep things 'hip and interesting' (Emily Eavis will be on TV soon telling us how she went for some really edgy bands or something). There are however small pockets of hope with Band of Horses, The National, Black Mountain... wait, has it turned into ATP?

Playlist: Rolo Tomassi, Ikara Colt, Mogwai

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Going back in time - Something I learned today, yesterday and tomorrow

Fri, 25 Apr 2008 13:21:13 GMT

While discovering new bands is all well and good (today I've been listening to Suffocate For Fuck Sake, who are surprisingly not a joke death metal band), going back and discovering old bands you'd never heard of is perhaps even more amazing. And yep, it's true, sadly I didn't always have this impeccable taste in music so I'm constantly half-filling the gaps with stuff I simply should be liking already.

Blogs, Last.fm, mixtapes and friends' record collections are currently how I discover new old bands, but there's one blog in particular, sadly currently out of action, which is simply unmatchable when it comes to discovering old stuff which was way before my time: Something I Learned Today.

It seems it has been on hiatus since August last year, and despite occasionally glancing at it to see if it had any MP3s I wanted before, I've only really begun trawling through it recently for some of the gems it still has in its goldmine for old punk rock, hardcore, post-punk and more; it covers a lot of genres, spans a few decades worth of music, and still has A LOT of MP3s on it. This week it's given me a couple of old Drive Like Jehu tracks off their first 7", as well as introducing me properly to noise-rockers Cows and 70's post-punk group Pere Ubu (pictured above).

I'm no doubt going to spend too much time reading it and downloading stuff, but I really really hope it's not on a Fugazi-esque 'permanent hiatus'. The writer has another day-to-day blog, but without the Karp MP3s and overload of bands I've never heard of, it's just not the same...

Playlist: Converge

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ATP Vs Pitchfork - Preview Vs Ellen

Thu, 24 Apr 2008 11:52:22 GMT

Ten bands I'm looking forward to:

1. Les Savy Fav

2. No Age

3. Girls Against Boys

4. Shit and Shine

5. Los Campesinos!

6. Meat Puppets

7. Sebadoh

8. Fuck Buttons

9. Hot Chip

10. Pissed Jeans

Nine things I'm sure I will consume at the festival:

1. Gin and tonics

2. Tea

3. Pasta and pesto

4. Too many cigarettes (this will be my 2nd ATP with the smoking ban)

5. Toast

6. Crap instant coffee

7. Water

8. Bananas

9. Sea air

Eight things likely to be heard during Fuck Buttons' set:

1. 'I can't believe they're playing ATP now, I remember seeing them play to 2 people a year ago'

2. 'I love the twinkly twinkly bit at the beginning of this song'

3. 'ANDY HUNNNNNNG'

4. 'Wait, they don't sound anything like Holy Fuck'

5. 'It's just a noise'

6. 'Black Dice who?'

7. 'They totally sold out maaan'

8. 'They are both totally sexy'

Seven suitcase essentials:

1. FOOD - the places to eat at Camber are so-so.

2. Mini speakers for iPod/MP3 player/walkman

3. Camera

4. Swimmers

5. Shorts

6. Heavy-metal t-shirts with cut-off sleeves

7. Sunglasses

Six bands I should really check out but will no doubt be overcome with the ATP apathy and won't bother:

1. Times New Viking

2. Jay Reatard

3. Man Man

4. Black Mountain

5. Wooden Shjips

6. Harmonia

Five things to do on the train ride down:

1. Go through suitcase trying to figure out what you've forgotten

2. Sing Shellac songs

3. Drink cheap wine

4. Fall asleep

5. Reminisce about previous ATPs

Four reasons the Pitchfork ATP is better than the Explosions one:

1. Les Savy Fav

2. More party bands

3. It's at Camber

4. Les Savy Fav

Three favourite previous ATPs:

1. Vs the fans

2. Mars Volta

3. Portishead

Two bands I will be avoiding:

1. Of Montreal

2. Deerhunter

One person who will be spending the weekend being lairy and over-excitable:

1. Ummmm.....

Playlist: The Postal Service, Off Minor, Cat Power

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Camden Crawl was a bit shit, but is anyone bothered?

Mon, 21 Apr 2008 16:24:42 GMT

There's been quite a slow reaction to the Camden Crawl this year, but it has really got some people's goat. The Guardian has been lamenting the lack of 'seminal greats' that played, the NME has just reeled out a few boring photos for now, and messageboards seem to just list the few bands they saw and loved without any real comment on the event itself, as if the Camden Crawl is just about watching four bands each night then going home.

And for me it does kinda feel like that, as when it comes to 'festival vibe', the Camden Crawl's is the worst. Part under-age Skins-snog fest, part wanky hang-out for industry types, I didn't enjoy it. I enjoyed the few bands I managed to catch (Youthmovies, Rolo Tomassi and Crystal Castles), I stayed for a bit in the Electric Ballroom at the end of the night, but there was no excitement or magic or atmosphere, and it didn't even have the feel of a festival, or anything similar. Just a couple of evenings missioning around Camden and watching a few bands, with a hefty price-tag to do it all.

It's not even the line-up I have issues with, as I quite like a lot of the bands playing and there were a few I'm certain I wouldn't really buy tickets for any other time, so the Crawl would've been a great time to see them. But with the nature of the line-up and timetable, and the fact all the venues had the same stage-times for bands, it meant if a band clashed with another they clashed for the entire set, without any overlap. Plus everyone was on the move at the same time, which caused the mammoth (and now synonymous with the Crawl) queues. The result? If you saw more than 4 bands either night you were lucky, most people only got round to seeing 3.

So, I saw a few good bands, I drank some beer, I danced for a bit in the Electric Ballroom. But I have little love for the Camden Crawl as an event; it chose some good (but on the whole no-brainer) bands to play who on the whole tour the UK a lot anyway. And then it executed it quite badly. It's not a springboard for new bands, it's not a showcase for the hottest new acts, and it's certainly not the best 'underground music' event in the UK. I'm not really sure what it is, but it's not much.

Playlist: The Pyramids, Jucifer

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Misjudging bands #1 - Portishead

Thu, 17 Apr 2008 16:05:07 GMT

I was never a big trip-hop fan. In fact, describing a band as trip-hop is guaranteed to put me off them. The whole Bristol 90's scene hasn't dated very well and the return of Portishead wasn't something I was particularly excited about. Until I saw them at ATP last year.

Despite the fact they manage to attract completely obsessive fans (who give you menthol snuff during their performance, it's a long story) who seem to just want to sing along to the hits, it wasn't just a nostalgic performance cashing in on their past successes. They were truly great.

Even then, before hearing new album 'Third', I was struck at how varied they sound. They had the typical trip-hop sound, and samples and heavy beats, but thank god they've evolved and are so influenced by new, experimental bands. Their curated line-up at ATP in December is evidence enough that this band haven't (thankfully) stuck to the formula which made them almost legendary ten-odd years ago.

'Third' is stunning, and I can't get over how much I like it. There's maybe one or two songs which sound like 'typical Portishead', the others cover so much ground, from folky laments to almost verging on industrial, from powerfully bleak post-doom soundscapes to Beth Gibbons at her most fragile (and that's saying something).

Jesus christ, what next. I start listening to Tricky?

Portishead - Machine Gun

Playlist: Little Death, Drive Like Jehu, Cut Copy

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